little black journal

Since the opening of my art show last month, I’ve done almost no art-making.  And I suppose that’s ok – I’ve come to accept that sometimes my creative endeavors will take a backseat to things like work or home projects or time with friends, but still, I’ve missed the feeling of a paintbrush or a pen in my hands. So when a friend asked me if I wanted to join her for a 3-hour figure drawing session at a gallery in Pioneer Square, I cleared my schedule, grabbed my sketchpad, and settled in for an evening of art-ing.  This was my first-ever figure drawing session, and I will admit, I went into it with a little concern over the awkwardness that may come from drawing a nude model, but once that big, lovely woman dropped her robe and we all started sketching, any reservations were put to rest.  I immediately became absorbed in my drawing, studying the model the same way you would study a landscape or a bowl of fruit or any other artistic subject.  The structure of the session was really good for me, as the bulk of the poses were only two to five minutes, so I didn’t have time to get stuck in the details or try to make anything perfect.  The length of time that the model stayed in any one pose gradually increased, and we wrapped up the night with a couple of 15-minute poses.  I walked out of there with a fat stack of sketches and a smile on my face – a totally fabulous evening.

FYI, these sessions occur on the third Tuesday of every month at La Familia gallery in Pioneer Square.  Entry is only 10 bucks (and well worth it!).

These are a few of my newer favorites, hung as part of the show.  The general theme was ‘mixing media’, as I have completely fallen in love the way that encaustics allow me to use everything from my photographs to bits of fabric to old maps from the glove compartment in new and interesting ways.

Note that my next exercise will be in learning how to properly photograph art, but these should give you the jest of things…

pdx, 24″x36″, mixed media encaustic (map on tissue paper, painted nylon netting, photo transfer of trees):

mountain creek, 16″x16″, mixed media encaustic (nylon netting, photo transfer of trees):

rue st martin, 12″x16″, mixed media encaustic (nylon netting, photo transfer of parisian rooftops):

porto, 36″x24″, mixed media encaustic (painted nylon netting, photo transfer of bridge and screen wall):

Eeek – it’s been awhile!  Life has been a whirlwind the last 10 days, with a faux wedding to throw (more on that later), lots of goings-on with friends and neighbors, and, finally, the opening of my art show on July 1st.  My weeks of planning and working and art-ing all came to fruition on Thursday night, as I gathered with some of our closest friends to share the collection I’d put so much of my time and heart into. And it was perfect.  I’d held back on making a big deal out of the event, based on my own fears and insecurities, but when Shane and I arrived at the cafe on Wednesday evening to hang my work, and the barista asked, “Oh, are you the artist?”, I actually got to respond with an emphatic, “Yes!”, and was suddenly eager to share my work with anyone willing to take a look.  I’m embracing and living up to the title of ‘Artist’, no longer calling myself a wanna-be, or a poser, or just ‘pretending’ like the work I do qualifies as art.  This has become a part of who I am, what I do, and how I relate to people.  Being in a room surrounded by 15 pieces of my art was an amazing feeling.  But what made the night infinitely more special was being able to share it all with our Seattle community – the cafe was filled with people that have encouraged me, cheered me on, and reminded me that creativity is most beautiful when it is freely shared.

Huuuuuuge thanks to everyone who came out – it was an evening I will never ever forget…

Well, folks, the countdown has begun – in just 7 short days, my artwork will be hung for my first-ever art show.  Through some very fortunate connections, I have been asked to put up my work in Seattle’s Q Café as their July artist.  Exciting?  No doubt.  Motivating? Definitely. Intimidating?  Yep, that too.  Throwing some pictures of my art up on my blog is easy, because I don’t have to physically watch anyone react to them – I can’t get my feelings hurt by uninterested glances, upturned noses, or (God forbid!) the occasional eye-roll.   And this is one of the first times that I will attach a price tag to my work; asking people to pay money for something I hold so dear opens up entirely new avenues for rejection.  But the fact is, I’ve put a lot of time, thought, and effort into the pieces that will hang on the wall next Thursday, so I’m going to go out on a limb and indulge in a little self-promotion:  If you live in the Seattle area, check it out – the show opens on July 1st and will run through the month.  The bulk of the work will be mixed-media encaustics, with a small sampling of my print-making work as well.  And if you don’t live in the Seattle area, some of my work will soon be available for purchase online, so stay tuned for that.  Now, back to work – I’ve still got art to make.  Zoiks!

My encaustic workshop wrapped up on Monday, and I’m just getting around to taking photos of my work and processing my thoughts on the whole experience.  I had some anxiety about being able to make it through four straight eight-hour days of art-making, but once I got into the swing of things, I caught myself checking the clock regularly in hopes of actually slowing down time.   I was totally bummed when Monday evening rolled around, and my short-lived experience as a full-time artist was over.  But my bummed-ness was offset by the fact that I was walking away with a pretty cool collection of work and a renewed passion for art-making.  Below are a few of the highlights…

This is one of my favorite pieces, made with wax, thread, and tissue paper printed with one of my images of Paris:

This pattern was woven with thread, then cast in a mixture of clear and white wax.  As the class progressed, I became known as the girl with all the white wax – a lot of my work was fairly muted, and I was one of the few that allowed the color of the wood panel underneath to really show through.  I loved the color and grain of the birch veneer, and so I figured, why hide it?

More white and clear, set over a tissue transfer of one of my sketches:

I brought a couple of the ‘seed pod’ sketches that I used for my food art back out for these two pieces:

One of the things I liked most about the class was the opportunity to experiment with different media.  My instructors brought all kinds of new ideas on how to achieve unusual effects with every-day materials.  This is what happens when wax is coated with shellac, then heated with a torch – lovely:

And this is shellac sprayed with India ink.  This charred effect comes from some kind of chemical reaction between the two elements – no fire necessary.  I love it – I never knew painting could feel so much like a chemistry class!:

I am vowing not to let this new-found interest fizzle like so many of my other artistic intrigues, so hopefully I’ll be posting more encaustic work in the future.  Aaaaagh!  So many possibilities, so little time…

I am now in the midst of a four-day intensive encaustic workshop at a local art school.  Eight hours a day of slopping wax on pieces of plywood, melting it with my new blow torch, layering on sheets of tissue paper, coatings of shellac, or whatever other random materials my experimental instructors have on hand, and generally just making a lovely mess of things.  It’s all a bit overwhelming, and my inability to really control this new medium can be frustrating, but I love it.  It’s been awhile since I’ve really been immersed in an art project, and it feels good.  Here’s a small sneak peak of things…

These were the final few prints that I cranked out last month – I held off on sharing them because two of these were a late birthday gift for my mom, but she received them last week, so I’m no longer in danger of ruining any surprises.  These are all monoprints, done with hand-cut stencils loaded with ink and run through the press.  I’m pretty happy with how several of them turned out – none of these are perfect, but I’m coming to learn that these imperfections are the beauty of printmaking.

These are two of my favorites, which will soon hang on the wall of my parents’ newly remodeled bathroom (my first piece of art to ‘grace’ someone else’s walls!):

These are all part of the same series…

And so my intro into printmaking has ended.  But due to the generosity and thoughtfulness of my ever-supportive husband, I’ll be able to occasionally rent space in the print studio next year with my Pratt school gift certificate!  I have some thinking/organizing/prepping to do before I’m ready to get back in there, but there are lots of ideas swirling around in this busy ol’ brain of mine.  Can’t wait to see what comes of it…

My printmaking class ended a couple of weeks ago, but I made the most of my final days of studio access and cranked out some good stuff.

The two images below are collographs, made by carving into a shellacked piece of cardboard, rubbing ink into the carved areas, then running it through the press.

My next focus was on paper lithography, using some of my photos of Paris to make prints.  I spent a few hours wrestling with this process one night in the studio, and still don’t feel like I got it right, but are some nuggets of quality in here…

I also put together several graphic monoprints that I was pretty happy with – a couple of them are being given as gifts, so for the sake of not ruining any surprises, I’ll post pics of those once they’ve been unwrapped.

In short, this class was amazing – I now see printmaking potential in all kinds of random things, from tangled netting to old photos to sketches I did 4 years ago.  I’m in the midst of figuring out how I’ll get back into the studio sometime soon – can’t let all that potential go to waste!

Good stuff happening in the print studio!  The last two weeks have been focused on relief printing and lithography.  So many possibilities!  Here’s what I came up with:

block print (a block of linoleum or rubber is carved, then used as a stamp):

paper lithographs (a fancy kind of xerox transfer process):

Still loving my printmaking class – these are the latest monotypes, made with bits of lace, hand-cut stencils, and baking powder.

buds:

ghost tree:

checkers:

hexagons:

lace:

Next up: relief prints.