My encaustic workshop wrapped up on Monday, and I’m just getting around to taking photos of my work and processing my thoughts on the whole experience.  I had some anxiety about being able to make it through four straight eight-hour days of art-making, but once I got into the swing of things, I caught myself checking the clock regularly in hopes of actually slowing down time.   I was totally bummed when Monday evening rolled around, and my short-lived experience as a full-time artist was over.  But my bummed-ness was offset by the fact that I was walking away with a pretty cool collection of work and a renewed passion for art-making.  Below are a few of the highlights…

This is one of my favorite pieces, made with wax, thread, and tissue paper printed with one of my images of Paris:

This pattern was woven with thread, then cast in a mixture of clear and white wax.  As the class progressed, I became known as the girl with all the white wax – a lot of my work was fairly muted, and I was one of the few that allowed the color of the wood panel underneath to really show through.  I loved the color and grain of the birch veneer, and so I figured, why hide it?

More white and clear, set over a tissue transfer of one of my sketches:

I brought a couple of the ‘seed pod’ sketches that I used for my food art back out for these two pieces:

One of the things I liked most about the class was the opportunity to experiment with different media.  My instructors brought all kinds of new ideas on how to achieve unusual effects with every-day materials.  This is what happens when wax is coated with shellac, then heated with a torch – lovely:

And this is shellac sprayed with India ink.  This charred effect comes from some kind of chemical reaction between the two elements – no fire necessary.  I love it – I never knew painting could feel so much like a chemistry class!:

I am vowing not to let this new-found interest fizzle like so many of my other artistic intrigues, so hopefully I’ll be posting more encaustic work in the future.  Aaaaagh!  So many possibilities, so little time…

5 Comments

  1. la v says:

    beautiful! i love the shellac one! glad you had fun.

  2. Linda says:

    Great work! Looking forward to an encaustic workshop in May! Feeling inspired!

  3. Diane says:

    I love the muted pieces you did in your workshop – I agree the birch showing through really adds to yor pieces.

    One question about the shellac – did you paint this over wax first and then spray with India ink?

    Diane

  4. Sara mclennand says:

    love your post and can’t wait to try the shellac with India Ink!
    Thank you for sharing!

  5. Pat says:

    Just a note to say how much I am inspired by you, your work…Can you say a bit more about this non flame shellac. Is it amber shellac, can you put a layer of medium over the shellac and India ink, (when it’s dry)?

    Thank you so much..

    Pat